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#H264 FORMAT IMAGE FLICKER PREMIERE PRO HOW TO#
#H264 FORMAT IMAGE FLICKER PREMIERE PRO PRO#

Works with Almost All Major Formats (MP4, M4P, M4V) Jointly Developed by Video Coding Experts Group (VCEG) and Moving Pictures Export Group (MPEG) The following comparison table summarizes all the points given above explaining ProRes vs. H264 codec compresses a group of pictures to form a complex architecture that, even though it reduces the overall file size, requires more inputs from the GPU to decompress and process while editing. GOP Approach – GOP stands for Group of Pictures.Therefore the editors may not be able to produce the expected quality output. This means, as compared to ProRes, H264 files have fewer color grading options while working with post-production software. Limited Colors – H264 is an 8-bit codec.This reduces the performance of your computer. Increased GPU Overhead – Due to the high compression rate, while editing (and even during playback), the GPU works more extensively to decompress the H264 files.Some of such disadvantages (from video editors’ perspective) are listed as follows:

#H264 FORMAT IMAGE FLICKER PREMIERE PRO PRO#

However, there are certain downsides of H264 format that many professionals who use post-production tools like Final Cut Pro X, Adobe Premiere Pro, etc. H.264 offers a high compression ratio, and therefore the files are small in size that uses less space on your storage devices. With the first version that was approved and released in 2003, H264 (technically written as H.264) codec is a product of two entities that joined hands for the purpose. However, such type of approach puts less load on the GPU as it doesn’t have to decompress complex compression architecture while editing.

I-Frame Approach – In ProRes, each frame of footage is compressed individually (I-frame).

This means that in contrast with others, ProRes files have more shades while working with Color Grading options in a post-production tool.

More Colors – ProRes is a 10-bit codec.

Reduced GPU Overhead – Because ProRes files are already loosely compressed, your computer’s GPU doesn’t have to put additional efforts to decompress the data for processing when footage is opened in a media player or imported to a post-production program for editing.

However, ProRes files come with a plethora of benefits, some of which are listed below: ProRes uses QuickTime (MOV) format that, as mentioned above, makes the files gigantic in size that further occupy a significant amount of space on a disk. This is not the case with H264 files, and they do require more processing than ProRes.ĭeveloped by Apple Inc., ProRes is a codec that was released in 2007 along with Final Cut Studio 2. To scratch the surface, ProRes files are loosely compressed, and your GPU finds it easy to process them during both editing and playback.

#H264 FORMAT IMAGE FLICKER PREMIERE PRO HOW TO#

How to convert H264 to ProRes with Wondershare UniConverter

By the time you have finished reading this, you will have a fair idea about the two codecs, when and why you should choose one over the other, and how you can convert H264 to ProRes with one of the most efficient conversion tools that are available today. Here you will learn some of the important differences between ProRes and H264 codecs and which one should you choose in order to make your editing process simpler and less resource-intensive. If you are planning your career in the field of video editing, it is imperative to know which codec, ProRes vs H264 works better with a post-production tool. 2.16 how to split clip in final cut pro.